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In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。代号“2101”的我国新型战机项目正在紧张的研制和试飞中，国外情报机构频频派出间谍人员试图接近项目获取情报，我国家安全局侦查处处长雷岳率侦查员们严密监视并防范各种间谍活动对 “2101”项目的侵扰和窥视。代号为“蓝鸟”的两名间谍利用与项目总工程师王西平的叔侄关系不断试图接近项目研制人员并窃取技术情报，被雷岳屡次挫败。然而，代号为“火狐”的高级间谍已潜入项目周围伺机而动。 　　两位神秘人物开始频繁接近“2101”副总工张忆琼，一位是香港古董商袁军，一位是伯耶公司首席代表乔芷风。儒雅才俊的袁军让张忆琼萌生爱慕之情，慈爱可亲的乔芷风让张惊觉去世多年的母亲还魂再现。雷岳调查侦破了乔芷风就是代号“火狐”的间谍身份及与张忆琼的母女关系，真相大白，母女相认。在亲情感召下，乔芷风终止间谍活动并为我所用。在与间谍们几番较量斗智斗勇之后，国安局侦查员们成功保护了 “2101”项目的秘密研制，新型战机终于成功定型，雄鹰翱翔在祖国的蓝天上。。《包公》以传奇的手法，运用电视的特殊手段，把一个刚直不阿、不畏权贵、铁面无私、执法如山的包青天形象推上了屏幕。在塑造他刚正一面的同时，又赋予他个人的七情六欲和浓重的人情味，用现实主义手法，把一个在戏曲中神化了的包公形象还原成一个有思想、有抱负、有欢乐、有苦恼、有建树、有挫折的人性化色彩很浓的艺术形象。《包公》播出后，受到了专家和电视观众的极大欢迎，好评如潮。 黄河，源远流长，它孕育出多少灿若星辰的古今人物和令人神往的美妙故事。北宋仁宗年间，出了个至今有口皆碑、妇孺皆知的人物——包拯。他一生清正廉洁、刚直不阿，不畏权贵、执法如山，人称“包青天”！。