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Bender看到Cubert 和Dwight在玩《龙与地下城》的游戏时候大惊失色。在驾驶星际快递的飞船玩完碰碰车之后，Fry、Leela与教授遇见了老妈和她那三个儿子。突然天崩地裂一乾人等掉了下去，进入了一个幻想世界，Leela从洞里爬出来以后变成了半人马，Bender骑着大马一副骑士的扮相，教授成了法师，Amy成了水仙女的女王，而Zoidberg变成了一个大乌贼（只剩个脑袋和几根触手）。紧接着是半兽人乘坐袋鼠奔袭，以及搭云梯攻城的情节，骑士Bender、教授法师以及Amy女王负责守城。老妈和她的几个儿子变成了龙，为了抢骰子（十二面体）大打出手。 剧情中会有很多《龙与地下城》的典故。据说Fry会变成类似与咕噜（魔戒里面原名叫施密戈的霍比特人）的角色，但是从预告片里看，Fry的样子看起来还算比较正常。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。