任嘉伦微博

任嘉伦微博

2017
22 年前

视频简介

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。《太行·王屋》共4集分别为:《开山》《出山》《护山》《回山》,总时长200分钟,节目以新时期太行、王屋山下的人们在新时代的开山历程为故事主题,以“愚公移山精神”为精神主轴,讲述王屋山下的一个个平凡人70年来“与山相争、与山相生”的出彩故事,从局部折射整个新中国的发展历程。作为愚公故里和移山精神的发源地,高山阻隔是人们对太行、王屋的习惯性印象,也是困扰一代又一代人的现实难题,对于愚公的“子孙们”,移山、开山的主题从来都没有停止过,太行、王屋在每一个时代都面临着被“移”的主题,这七十年来,在人们追求美好生活的过程中,虽然山与人的破与立经历了多个主题的轮换。但从移山到开山的时代演进却被确立下来。新时代太行、王屋山下的人们与山抗争、与山共生的奋斗历程,也是全体中国人不畏艰辛、拼搏奋进的一个缩影。。

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